
the stage set-up

Something Awesome 2011 @ucsd price center plaza,
presented by the dvc (deejays & vinylphiles club @ucsd).
the dvc on fb.
presented by the dvc (deejays & vinylphiles club @ucsd).
the dvc on fb.



When people look back on the decade that was the 2000s, they will see that 2004 (how I can EXTRA-BOLD this??) was the greatest of those years in trance. Among dozens of other reasons for this, The Whiteroom is one phenomenal track and has already established itself as a classic born out of that year.OMG truthful trance review. Thank you discog reviewer.
To me, this track is the greatest hybrid of the stellar ambience of psytrance and the build-up/breakdown structure of progressive to date. A simple enough bassline plods along and its repetition is present enough to put you in a trance, but made subtle enough by all the other different elements that you maintain interest. Hypnotic, indistinguishable vocals, by 2004 already a legendary trademark of Andy Moor, are scattered tastefully throughout those nine, blissful minutes. Yet, they are such a massive component of The Whiteroom's overall force, keeping the listener in a constant of suspense and chills. I say this out of respect for the notion that, somehow, all trance releases are supposed to give listeners goosebumps, which has surely become a bastardized cliche by this point. No, something about The Whiteroom simply justifies that old adage about trance music, they way it manages execute impeccable timing, knowing when and where to bring in new elements, while removing others.
Seven minutes inward, as the song's ever genuine build-up culminates to one steep climax, a much anticipated breakdown strikes and, even after the full-blown impact is delivered, the ambience is never lost, but rather grows. The vocals become intense and are backdropped by an utmost spooky melody played on the leads. I'll leave the rest to the reader's imagination.
Absolutely stunning.

20:00 doors open


Martin Johansson saw the American cupcake boom firsthand during a two-year stint as the chef at the Swedish Embassy in Washington. In August, after returning to Sweden, he opened Cupcake STHLM with a childhood friend, Mikael Ingeltun, who had spent the past few years as a chef aboard luxury yachts. Rather that importing an American craze, the pair say they are championing the contribution Scandinavian immigrants made to American home cooking.
artist: Terranaut, from London, UK
'Cayo Norte' is intensely deep and diverse. A bold bassline supports a scintillating combination of strings and Mike Foyle's typical piano-lines. The mesmerizing break-down leads into a storm of a record, unleashing a big room power that'll make 'Cayo Norte' explode every dance floor.
On the remix, Norwegian duo Lemon & Einar K present a 'Cayo Norte' translation that sits between progressive- and tech-trance. It hits in harder, faster and stronger.–armada music (preview and purchase)



artist(s): Sied van Riel & Ummet Ozcan (from the NL)
artist: Local Natives (from California)
artist: Matt & Kim

A man jumps on a car in downtown Oakland after people marched through downtown in response to a two-year prison sentence that was handed down to former BART officer Johannes Mehserle on Friday Nov. 05, 2010 in Oakland, Calif.
Photo: Mike Kepka / The Chronicle

Hey, at least this guy voted. Obama won in '08 with 66% of the 18-29 vote. Most of that demo stayed home this time and played Cut the Rope and drank vodka/Red Bulls and tweeted about not caring anymore. Ah, silly youth.